NHS PERFORMING ARTS

Many roles available:

• Jean Valjean is the hero of the show. It is his life journey that we follow. Jean Valjean is supposed to be stronger than other men, and so he should physically appear robust. He should carry himself confidently onstage and come across to the audience as reasonably mature and paternal. Valjean’s capacity for change is his greatest asset throughout the story. The key to his character is his great humanity and compassion. Tenor.

• Javert is the inspector who serves as antagonist to Jean Valjean. Javert is unswerving in his belief that men cannot change for the better. "Once a thief, always a thief" is his mantra. At first glance, Javert might appear to be the villain of the story, but upon closer examination, it is clear that he is not an evil man. He is a dedicated policeman with a profoundly strong sense of duty. Unlike Valjean, Javert's attitudes are rigid and unmovable. He is stern, forbidding, and lacking in compassion. Baritone. 

• Bishop Of Digne is a good man who saves Valjean’s soul through showing compassion. The Bishop of Digne’s kindness carefully establishes the premise of the show by literally buying Jean Valjean’s soul for God. This powerful role requires a nice baritone voice and a good actor.

• Fantine is the beautiful, young girl who, abandoned by her lover, is left to fend for herself and her daughter, Cosette. She is rejected by society and forced through circumstances to sell herself. She is a brave woman defeated by life who clings to her dignity and is sustained by her love for her daughter, sacrificing everything for the young Cosette. The audience witnesses her descent through a series of terrible events leading to poverty, hunger, cold, loneliness, destitution, and death from consumption. Mezzo.

• Bamatabois is the customer who taunts Fantine into violence. He is a wealthy, dissolute young man who thinks of himself as a gentleman, even dressing in expensive clothes. He is drunk and in a sadistic mood. He chauvinistically feels it is his right to buy anything, even Fantine.

• Young Cosette is Fantine’s daughter and the Thénardiers’ ward. She has been forced into child labor. She is underfed, beaten by Madame Thénardier, and bullied by Eponine. Young Cosette should be as physically small as possible, especially against Jean Valjean and the Thénardiers. Young Cosette sings “Castle On A Cloud.” Soprano.

• Madame Thénardier is married to Thénardier. Together, Madame Thénardier and Thénardier con the world as partners in crime. They were made for each other, and although she complains about him, she loves him dearly. She is coarse and vulgar, unhappy in her existence without knowing why. She is romantic, greedy, manipulative, evil, and larger than life. She is mean and nasty to Little Cosette and able to improvise in nearly any situation. Suitable for actress with excellent physical comedy skills who is also a good musician with a good sense of rhythm.

• Thénardier is the true villain of Les Misérables. That said, he should also possess a wicked sense of humor. He delights in cheating, robbing, defrauding, and blackmailing, and relishes every aspect of his schemes with glee. He is tough, greedy, brutal, lowbrow, crafty and yet irresistible. He hates society and blames it and everyone else for all his misfortune. Thénardier is also the opportunist and realist of the show. He is a thief, a liar, a cheat, and steals valuables from the dead with no remorse. He is also the comic relief of the production. However, his comedy is based in reality and shouldn’t be too exaggerated. He is married to Madame Thénardier and is father to Eponine and Gavroche (although he abandoned Gavroche to the streets of Paris).

• Young Eponine is the pampered daughter of the Thénardiers. She does little except taunt Young Cosette. The role requires no singing or speaking.

• Gavroche is Thénardier’s son. He is left to fend for himself and lives by his wits in the streets of Paris. His archenemy is Javert, the policeman. Gavroche is brave, witty, and arrogant, with a fantastic, unchanged voice. For comparison, think of a young Artful Dodger. Gavroche is young and physically small. Gavroche has a very dramatic death at the barricade. Gavroche's Gang - optional gang of young orphans

• Eponine is the Thénardiers’ daughter. Living hand to mouth, she survives by helping her father in his life of crime. She is a young girl who is streetwise and tough but also sensitive and lonely. This tragic character is hopelessly in love with Marius, knowing that he will never love her. She bravely follows Marius to the barricades in the hope that they will die there together. She sings one of the most famous numbers in the show, “On My Own.” Mezzo.

• Enjolras is the student leader. He is handsome, brave, and daring, although youthful. He combines his revolutionary ideals with strong, charismatic leadership. Victor Hugo described him as “a thinker and a man of action.” On the barricade, he should dominate everyone else physically and vocally. He should be a natural leader oozing with charisma and have a very strong high baritone or a tenor voice. Enjolras must inspire the students to fight and, ultimately, to die for their beliefs. His death at the barricade is one of the dramatic highlights of the show. Tenor/High Baritone

• Marius is the romantic hero of the story. He is impulsive, passionate, willful, and headstrong. His moods change according to his circumstances. He is sweet and tender but also capable of great courage and compassion. In Act I, Marius plays Romeo to Cosette’s Juliet. Marius matures after “The Café Song” as a result of his experiences on the barricade. Marius should have a lovely, tenor voice with a contemporary edge.

• Cosette is Fantine’s strong-willed, loving daughter. She is an intelligent, inquiring, personable girl; she is not in any sense a sappy, romantic heroine. Once she is adopted by Jean Valjean, Cosette lives a comfortable, if secluded, life. She falls instantly in love with Marius, changing her world and her priorities. The role calls for an excellent singer with a lovely, lyrical soprano voice.

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Montparnasse, Babet, Brujon, Claquesous are members of Thénardier’s gang of thieves. Men played these roles on Broadway, but for the School Edition, you may cast them as a mix of males and females.

• Brujon is physically very strong. He has the body of a bear and a pea-sized brain. A genuine gangster, he is stupid and evil

• Babet is physically frail but lean and cunning.

• Claquesous is tough, dangerous, and secretive.

• Montparnasse is a teenager who is handsome and dangerous (he kills with a knife). He is well dressed, strongly built, and agile.

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Members of the ABC society: Combeferre, Feuilly, Courfeyrac, Joly, Prouvaire, Lesgles, Grantaire. These characters compose a secret society of students and workers. The letters A, B, and C, as pronounced in French, make the word “abaisse,” which means “the underdog” or “the people below.” The members are drawn from wealthy families and have chosen to fight for freedom, in stark contrast to the poor who have no choice due to their downtrodden circumstance. Additional characters in the ABC Society, besides Enjolras and Marius, include the following:

• Combeferre is the philosopher and believer in peace. He is gentle, humane, strong, and brave.

• Feuilly is a worker who is a self-educated orphan. He is an affectionate, warm, and poetic believer in "nationality."

• Courfeyrac is a youthful, passionate, and fearless student.

• Joly is an eccentric and light-hearted (although sometimes morbid) medical student. His name is derived from the English word “jolly.”

• Prouvaire is a kind, soft-spoken, and, at the right moments, strong and masterful poet and student of social studies.

• Lesgles is a cheerful, laughing-at-life (but unlucky) student. He is a close friend of Joly.

• Grantaire is the opposite of Enjolras. He believes in nothing. Although he admires Enjolras, he loves to mock him. Witty and drunken, Grantaire is happy being with the group, and they put up with him because of his good humor. He also keeps a watchful eye on Gavroche, the mascot of the group, and is the most heartbroken when Gavroche is killed. He is so devastated by Gavroche’s death that Grantaire abandons his cynicism and rushes to die on the barricade.

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Ensemble:

• The Chain Gang consists of Jean Valjean’s fellow prisoners. There are five soloists (Convicts 1, 2, 3, 4, and 5). The overall vocal range of the Convicts is low, and they should be able sing in a rich baritone range if possible.

• Constables - There are two solo Constables in the show.

• The Farmer has solo lines in Bass range. 

• Many Laborers possible in ensemble, but only one Laborer has a solo line. 

• The Foreman begins Fantine on her desperate, downward spiral. He should be virile, commanding, and a bit sleazy around the edges.

• The Factory Workers include the following characters with solo lines: Workers 1 and 2, Woman, Factory Girls 1, 2, 3, and 4. Girl 5 (Factory Girl) is the shop girl who fights with Fantine. She is mean, spiteful, and selfish. She also is most likely having an affair with the Foreman and is jealous of his affection for Fantine.

• Prostitutes - The Docks are a depressing and dangerous place to be, occupied by prostitutes and their customers. Prostitutes 1, 2, 3, and Sick Prostitute have solo lines.

• Sailors (Sailors 1, 2, 3) begin the docks scene. All three have solos but do not need to be great singers.

• Revolutionaries at the barricade scenes. 

• Sentries 1 and 2

• Army Officer

• Major Domo

• Wedding Guests

• The Old Woman is a nice featured role who purchases Fantine’s hair. 

• The Pimp controls the prostitutes at the docks. He is mean, aggressive, and abusive. The Pimp has a small solo line in “The Docks.”

• Onlookers and Bystanders - These characters make up the crowd of people onstage that witness the cart crash. Onlookers 1, 2, 3, and 4 have solo lines.

• Fauchelevant is the victim of the cart crash. A few solo lines and some painful yelps.

• Judge(s) are non-singing roles. They appear once in a courtroom to preside over a trial against Jean Valjean.

• Mistaken Jean Valjean (and family) are also non-singing. Mistaken Jean Valjean is the man who Javert believes to be Jean Valjean.

• The two Nuns are non-singing and non-speaking roles. They serve to take care of Fantine in her sickness.